Photo ©2007 Brad Reynolds. Taken in Aerolito de Paraiso in Isla de Cozumel, Mexico. Click to see another photo from Aerolito. |
The fabulous Cliffs of Moher, Co. Clare, Ireland |
I own a modest collection of simple-system wooden flutes and penny whistles. The keyed flutes I play are made by Eamonn Cotter and Patrick Olwell. My repertoire is mostly Irish airs, jigs, and reels with the occasional hornpipe thrown in. Some of my latest favourites are "Imelda Rowland's" (reel), "Sandymount" or "Sandpiper" (reel), "The Sunset" (slow reel) and "Little Stack of Wheat" (hornpipe).
My musical interests have stretched to other Celtic cultures, especially Breton music. Some of my favourite Breton recordings were by John Skelton (of the House Band), Alan Stivell, Tammles (now defunct), and the Chieftains (for "Celtic Wedding"). One of the principal instruments used in Breton music is the double-reed bombarde which looks and sounds like a shawm. Standard (no keys) versions of the bombarde are limited to 1-1/4 octaves; thus traditional Breton music tends to have limited note range. However, the music can be difficult to play because of its syncopation, phrasing and changing time signatures.
Burning Man is not for everyone. The event is held in a harsh environment which requires significant advance planning. The atmosphere is extremely high energy, 24 hours a day. Finding time to sleep can be a challenge! Finding a way to get a shower is sometimes more challenging. Finding an appetite and preparing food in the extreme heat is yet another major challenge.